| Field | Value |
|---|---|
| HTA ID | HTA-0612 |
| Title | Eric Maisel — Artists and Depression |
| Era | KRON-TV (San Francisco, ~2009–2013) |
| Station | KRON-TV Channel 4 |
| Program | KRON4 News Weekend |
| Role | Host / Reporter / Interviewer |
| Segment Type | Interview |
| Duration | ~5:50 |
| Source File | Eric Maisel discusses Artists and Depression with Henry Tenenbaum on KRON-TV.txt |
| Record Version | V1 (Transcript Only) |
Henry interviews psychotherapist and creativity coach Eric Maisel about depression among artists and creative professionals.
00:00 Welcome back, Ron for Newsweekend. Boy, I just found out something about our guest. 00:04 It's hard to believe. It has nothing to do with the subject. But ladies and gentlemen, 00:07 Eric Maisel doesn't even own a cell phone, ladies and gentlemen. 00:10 I'm trying to be the last person in the world without a cell phone. 00:13 Well, not only is he one of the most unusual people in the world, truly unique, 00:19 but he is the author of a book called The Van Gogh Blues: The Creative Person's Path Through Depression. 00:26 And the gist of this is that people who are creative do have a tendency, as we know, many, many cases, to be little nuts. 00:37 Okay? 00:37 So why is that, first of all? 00:39 Well, I think we're talking specifically about depression. 00:42 Well, I'm just kidding. 00:43 Yes. 00:44 And I think they tend to be depressed because it's existential depression they're suffering from. 00:49 Namely, they decide that they want to hold meaning afloat for the world. 00:53 They want to be the cultural witnesses, the cultural actors. 00:57 And so because they want to keep meaning afloat, when they have difficulty doing that, 01:01 and all of us as creative people do have difficulty doing that, 01:04 then the meaning seems to drain out of their lives, 01:07 and the depression they experience is this existential depression. 01:11 So I think 100% of creative people are going to experience this kind of depression, 01:16 at least sometimes in their life. 01:18 But they've created something, and sometimes, I mean, I can understand 01:23 And when you do something, it's like, oh, man, I just wasted a lot of time. 01:26 It stinks. 01:27 But it doesn't apply to whether it's good or bad. 01:30 Some of the most oppressed people are successful. 01:32 But the dirty little secret is if you spend three years writing a novel, 01:35 you may end up with a successful novel. 01:37 And at that split second, you may feel like you've done something meaningful. 01:41 But for those 1,000 days, virtually 700 or 800 of those days, 01:46 you're just slogging along, struggling, not really believing in your novel 01:49 because here you are faced with a bad paragraph that you're trying to revise. 01:53 So most of the time you're not experiencing life as successful or meaningful, 01:58 even though you know that down the road you will have done something that's meaningful. 02:03 And that's one of the tricks. 02:04 That's one of the tricks in maintaining meaning, 02:06 is reminding yourself that even though today is hard, 02:10 you're working towards something that you're going to experience as meaningful. 02:13 But Van Gogh was successful at this point, 02:18 although he never quite acknowledged it, and he was jealous of others. 02:21 Right. Well, he was successful at painting, but not successful at keeping meaning afloat. 02:25 Right. So, I mean, he and Gauguin were having these problems. 02:28 So he went into a terrible depression, even though he was... 02:33 But that was his second depression. His first depression. He was a pastor first, 02:37 and he was too vehement as a pastor, and he was fired. 02:40 So he tried to make meaning as a religious person first, was fired, 02:44 had a meaning crisis then, almost committed suicide, 02:47 then tried to make it by painting to sustain meaning. 02:51 Couldn't do it there. 02:52 The secret is we need relationships as well as our creative art. 02:55 That's the headline here. 02:57 Okay. 02:57 So now that we've stated the problem, 03:01 let's go ahead and talk about how a creative person can deal with that very problem. 03:06 You've created something. 03:07 You're feeling lousy about it. 03:09 Where do you start? 03:10 Well, for one thing, since we're talking about existential depression, 03:13 we have to not forget that depression might be something else like biological depression. 03:18 So if you're deeply blue, you need a medical workup. 03:20 You need to make sure that we're talking about the same depression. 03:23 Well, excuse me, but most doctors these days, your average doctor, I doubt, can tell the difference. 03:28 Absolutely, but you're going to the doctor to see if maybe antidepressants are going to help you. 03:33 Because if you're severely depressed, you sort of don't want to stubbornly not check in to the medical community to see if that might. 03:39 But let's say you've done all of that. 03:41 let's say you've done the home remedies like exercise and sunlight 03:44 and all the other things we know help with depression 03:47 then i think you want to look at the existential depression issue 03:50 and the starting place there is to remind yourself that you matter and that your 03:54 efforts matter to you 03:56 because i think that's the piece of negative self-talk that's going on in a 03:59 creative person's mind 04:00 day in and day out they're telling themselves 04:03 not that talented it doesn't matter that much whether this poem gets published 04:07 et cetera et cetera 04:08 they're talking themselves into the crisis 04:11 You want to get a grip on your mind, as the Buddha said, you want to get a grip on your mind and say new things to yourself, say different things to yourself that remind you that you are able to make meaning in your life. 04:22 We have 40 seconds for you to explain the concept that you want people to find versus, I'm sorry, to make versus find meaning. 04:31 Yeah, I think we've had a metaphor for a long time of seeking meaning and finding meaning. 04:35 And a lot of people need to go out looking for meaning. 04:38 And I think it's time we stop thinking that way. 04:41 and had a paradigm shift toward making meaning, 04:44 that we know enough already, we know what our principles are, 04:46 we know what our work is, 04:47 and we should just assert that we're going to make meaning 04:50 rather than talk ourselves into the position 04:52 that we're going to have to find meaning somewhere out there in the world. 04:56 So Eric Maisel is going to be appearing on Friday, 05:00 7 p.m. at Book Passage, Tamil Vista Boulevard in Cordo Madera, 05:03 at 415-927-0960, bookpassage.com, 05:08 And the book is called the Van Gogh blues we've been discussing. 05:12 Do we say Van Gogh? 05:12 The Van Gogh blues. 05:13 Van Gogh. 05:14 You say Van Gogh and I say Van Gogh. 05:17 And Marty and Isabel say it any way they like. 05:19 Say it's time to go. 05:21 Or it's time to go. 05:50 -